Quinces in Moroccan Bowl
I have long been drawn to and captivated by the work of the Impressionists. They were revolutionary in their time, seeing and depicting the world through a new and different lens, with a daring way of interpreting colour, form and subject matter, using chunky brushstrokes to leave an ‘impression’ of what they saw. I love the bold representations and textured colour of Cezanne’s still life’s and set a few up for this platter series, hand painted with layers of underglaze, loose brushstrokes and flat lay compositions, such as this bowl on a plate.
Quinces are one of my favourite fruit trees and visually, one of my favourite fruits. There’s something so romantic about a quince tree in bloom, then delicate branches bare the impressive weight of these bulging heavy, character laden fruit. The blue bowl has featured in a number of my paintings and drawings, a treasured souvenir from travels to Morocco, and is now finding it’s way onto the surface of my ceramic work.
Each platter is created using a slab rolling method and the design selected for its unique shape.
39 x 25 cm
I have long been drawn to and captivated by the work of the Impressionists. They were revolutionary in their time, seeing and depicting the world through a new and different lens, with a daring way of interpreting colour, form and subject matter, using chunky brushstrokes to leave an ‘impression’ of what they saw. I love the bold representations and textured colour of Cezanne’s still life’s and set a few up for this platter series, hand painted with layers of underglaze, loose brushstrokes and flat lay compositions, such as this bowl on a plate.
Quinces are one of my favourite fruit trees and visually, one of my favourite fruits. There’s something so romantic about a quince tree in bloom, then delicate branches bare the impressive weight of these bulging heavy, character laden fruit. The blue bowl has featured in a number of my paintings and drawings, a treasured souvenir from travels to Morocco, and is now finding it’s way onto the surface of my ceramic work.
Each platter is created using a slab rolling method and the design selected for its unique shape.
39 x 25 cm
I have long been drawn to and captivated by the work of the Impressionists. They were revolutionary in their time, seeing and depicting the world through a new and different lens, with a daring way of interpreting colour, form and subject matter, using chunky brushstrokes to leave an ‘impression’ of what they saw. I love the bold representations and textured colour of Cezanne’s still life’s and set a few up for this platter series, hand painted with layers of underglaze, loose brushstrokes and flat lay compositions, such as this bowl on a plate.
Quinces are one of my favourite fruit trees and visually, one of my favourite fruits. There’s something so romantic about a quince tree in bloom, then delicate branches bare the impressive weight of these bulging heavy, character laden fruit. The blue bowl has featured in a number of my paintings and drawings, a treasured souvenir from travels to Morocco, and is now finding it’s way onto the surface of my ceramic work.
Each platter is created using a slab rolling method and the design selected for its unique shape.
39 x 25 cm
Keane mid Fire 33 clay
Body stain
Clear glaze
Food safe
Dishwasher and microwave safe - Hand wash recommended - As with all ceramic wares, don’t heat to extreme temperatures and treat with care when packing and unpacking the dishwasher.
*This platter comes with a coil of copper wire for hanging.