3 Oysters
I love working with different techniques to create unique ways of depicting subject matter. The ‘etching’ method I use regularly is incredibly labour intensive, using fine needle tools to etch away the clay surface to create texture and shadow for pigment to sink into, hence the level of detail and realism attainable. This reverse method is starting with a solid colour and carving back into the surface, exposing the clay body to create the highlights and form of the subject.
Oysters appear often in my work - they’re fascinating creatures to replicate with their gnarly, almost impenetrable exterior, equip with growth rings and razor sharp frills, in complete opposition with the pearlescent housing for their soft, beige, fleshy bodies. And, they can make a pearl out of an irritant?!? And then there’s the gastronomic properties, AND they can be sustainably farmed. Clearly, I’m a big fan.
The glaze has pooled slightly in some areas resulting in some subtle opaque appearance around the edge of the base, therefore the price has been reduced.
Each platter is created individually and the design selected for its unique shape.
24 x 25cm
I love working with different techniques to create unique ways of depicting subject matter. The ‘etching’ method I use regularly is incredibly labour intensive, using fine needle tools to etch away the clay surface to create texture and shadow for pigment to sink into, hence the level of detail and realism attainable. This reverse method is starting with a solid colour and carving back into the surface, exposing the clay body to create the highlights and form of the subject.
Oysters appear often in my work - they’re fascinating creatures to replicate with their gnarly, almost impenetrable exterior, equip with growth rings and razor sharp frills, in complete opposition with the pearlescent housing for their soft, beige, fleshy bodies. And, they can make a pearl out of an irritant?!? And then there’s the gastronomic properties, AND they can be sustainably farmed. Clearly, I’m a big fan.
The glaze has pooled slightly in some areas resulting in some subtle opaque appearance around the edge of the base, therefore the price has been reduced.
Each platter is created individually and the design selected for its unique shape.
24 x 25cm
I love working with different techniques to create unique ways of depicting subject matter. The ‘etching’ method I use regularly is incredibly labour intensive, using fine needle tools to etch away the clay surface to create texture and shadow for pigment to sink into, hence the level of detail and realism attainable. This reverse method is starting with a solid colour and carving back into the surface, exposing the clay body to create the highlights and form of the subject.
Oysters appear often in my work - they’re fascinating creatures to replicate with their gnarly, almost impenetrable exterior, equip with growth rings and razor sharp frills, in complete opposition with the pearlescent housing for their soft, beige, fleshy bodies. And, they can make a pearl out of an irritant?!? And then there’s the gastronomic properties, AND they can be sustainably farmed. Clearly, I’m a big fan.
The glaze has pooled slightly in some areas resulting in some subtle opaque appearance around the edge of the base, therefore the price has been reduced.
Each platter is created individually and the design selected for its unique shape.
24 x 25cm
Mid fire clay
Body stain
Clear glaze
Food safe
Dishwasher and microwave safe - Hand wash recommended - As with all ceramic wares, don’t heat to extreme temperatures and treat with care when packing and unpacking the dishwasher.